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Breaker (2017/Japan) by Philippe McKie
In tomorrow's Tokyo, the technologically-enhanced body of a young mercenary hacker is overrun by a sentient data weapon. Wanted, the parasitic A.I becomes her only ally as she is chased across the city by those seeking to salvage it.
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Game (2019/Iran) by Ali Haddadi
A father with financial problems is forced to pay compensation for the damage caused by his son. He tries to get out of this situation by keeping his dignity.
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Be my first (2017/Japan) by Philippe McKie
A young Japanese girl riding the train posts a message from her phone to an online thread: 'I'm a high-school student and I'm a virgin, does anyone want to pay to be my first? It has to be tonight'
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Zeen? (Canada) by Calyx Passailaigue
Chad is a pretentious white Jamaican film director. With his ragtag Caribbean cast and crew, he aims to shoot a highbrow social drama called "Brothers in Babylon."
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l'Albero / The Tree (2020/Italy) by Leonardo Tessarolo
The short film is a dreamlike take on the theme of one's growth. A boy lives at the foot of a majestic tree. The tree reveals its personality, desires and fears to the boy through what it dreams.
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Christmas On The Moon (2019/Russia) by Lado Kvataniya
Mature vision on Christmas.
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When We Were Strangers (2021/The Netherlands) by Ayla Spaans
When We Were Strangers is ab experimental love story that features the slow decay of love. It’s about a couple who falls in love during a house party and set off on an adventure. Each room in the house represent a different phase of their relationship and the situation gets more and more confusing.
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Leningrad /// GOLD (2019/Russia) by Lado Kvataniya
In Leningrad a police interrogation room transforms into a series of vivid crime scenes, as a dangerous predator with a hunger for the finer things in life recounts her violent exploits.